A Re-Enactment of the 1920s Debates presented by the Retro-Formalism Group in cooperation with Marxism in Culture (University of London) and the Institute for Modern and Contemporary Culture (University of Westminster) June 4.-5th 2015 Organised by David Cunningham, Anke Hennig, Anthony Iles more
The So-Called Formalist Method (1923) more
From a dialectic perspective, portraits are seen to be the result of the application of distinct, expressive and constructive methods. Such a perspective examines how these methods can be combined in the overall structure of an artistic image to express the uniqueness and even the personality, the aura, of a piece of art. more дальше
The present paper is devoted to Viktor Shklovsky’s ironic reflection on his well-known penitential article “Monument to a Scientific Error”(1930), in which he ritually renounced his basic Formalist ideas. more
Shklovsky begins his seminal text, "Art as Device", with critiques of diverse formulations of the ‘laws’ of economy governing creative effort and perception in poetic and prose language. more
Projektpartner
Freie Universität Berlin | SFB 626 | Merve Verlag Berlin