A Re-Enactment of the 1920s Debates
presented by the Retro-Formalism Group in cooperation with Marxism in Culture (University of London) and the Institute for Modern and Contemporary Culture (University of Westminster)
June 4.-5th 2015
Organised by David Cunningham, Anke Hennig, Anthony Iles
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Warum ist der Fehler bedeutsam? Ausgehend von der Kritik des formalistischen Verfahrens des Fehlers durch Jan Levčenko in seinem Buch "Die andere Wissenschaft" ("Drugaja nauka", 2012) ist ein Fehler bedeutungsvoll, weil er die Aufmerksamkeit stocken lässt.
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From a dialectic perspective, portraits are seen to be the result of the application of distinct, expressive and constructive methods. Such a perspective examines how these methods can be combined in the overall structure of an artistic image to express the uniqueness and even the personality, the aura, of a piece of art.
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The present paper is devoted to Viktor Shklovsky’s ironic reflection on his well-known penitential article “Monument to a Scientific Error”(1930), in which he ritually renounced his basic Formalist ideas.
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