In unserem zweiten Workshop wollen wir den russischen Formalismus von den Avantgarden trennen. Zu diesem Zweck konzentrieren wir uns auf das Schicksal der formalistischen Theorie in den stalinistischen 1930er Jahren, die als Identifikation von Formalismus und avantgardistischer Kunst totalen Charakter annimmt.

weiterlesen more дальше

themen: Tagung

Fotos von Andrew Fisher

more дальше weiterlesen

As scholars and as writers, the founding fathers of Russian Formalism were not afraid to err in the conventional sense, but what definitely was amongst their fears were epigonism and imitation as an academic and literary secondary activity. However, the repetition or automation of some characteristic features was obvious in the texts of Shklovsky and in the early prose of Tynianov during the 1920s.

more

The article attempts to interpret Viktor Shklovsky's essay, “Monument to a Scientific Error,” in light of a reading of its central subtext, Jules Romains’s cine-novel, Donogoo-Tonka, or the Miracles of Science.

more

Materialsammlung zum 'close reading' des Šklovskij-Textes - in verschiedenen poetischen Fakturen.

weiterlesen more дальше

The ideas I wish to present in my talk were inspired by Viktor Shklovsky's “Monument to a Scientific Error“ (1930). I intend to look at the Methodology of the Error as being one discrete method to speculate on poetic chance

more

The present paper is devoted to Viktor Shklovsky’s ironic reflection on his well-known penitential article “Monument to a Scientific Error”(1930), in which he ritually renounced his basic Formalist ideas.

more

Shklovsky begins his seminal text, "Art as Device", with critiques of diverse formulations of the ‘laws’ of economy governing creative effort and perception in poetic and prose language.

more