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Fotos von der Tagung Workshop Photos Фотографии

Workshop Photos Фотографии Fotos von der Tagung

Photographs by Andrew Fisher

Fotos von Andrew Fisher

Фотографии Эндрю Фишера

Opening the Workshop "Why begin retro-formalism with a reflection on errors?"

Aleksandr Dmitriev presenting "Worse than a Mistake? Epigonism and Routinisation in Russian Formalism"

Jan Levčenko presenting "Disappearing Formalism: Figures of Compensation in Victor Shklovsky’s Prose of the Early 1930s."

Bernhard Sallmann talks about the significance of errors in film

Anke Hennig presenting "Erroneously speculating on chance"

Anthony Isles presenting "Critique of a Political Economy of Art

Ilya Kliger presenting "Shklovsky's "Monument to a Scientific Error" as a Speculative Image"

The past is different. The Library of Merve

Close reading of Viktor Shklovsky's "Monument to a Scientific Error"

Letters on a screen. Bernhard Sallman's film "Zoo", shown at the Workshop

Pavel Arsenev, Oksana Timofeeva, Kirill Ospovat. Igor' Chubarov, Anthony Iles, Natascha Drubeck, Serhei Biareishyk ...

topics: The Methodology of Error

topics

The Methodology of Error

Screening

Duncan Campbell It for Others

Marx, Form, Isms

A Re-Enactment of the 1920s Debates presented by the Retro-Formalism Group in cooperation with Marxism in Culture (University of London) and the Institute for Modern and Contemporary Culture (University of Westminster) June 4.-5th 2015 Organised by David Cunningham, Anke Hennig, Anthony Iles more

Close Reading

Osip Brik, The So-Called Formalist Method

The So-Called Formalist Method (1923) more

Film Screening

Bernhard Sallmann „Zoo, or letters not about love“, 2006

Video Essay for Split Screen based on the Berlin-novel “ZOO, or Letters not about Love” (1923) by the Soviet Writer Viktor Shklovsky Germany, 2006 weiterlesen more

Talk

Ilya Kliger: Shklovsky's "Monument to a Scientific Error" as a Speculative Image

The article attempts to interpret Viktor Shklovsky's essay, “Monument to a Scientific Error,” in light of a reading of its central subtext, Jules Romains’s cine-novel, Donogoo-Tonka, or the Miracles of Science. more

Talk

Alexander Dmitriev: Worse than a Mistake? Epigonism and Routinisation in Russian Formalism

As scholars and as writers, the founding fathers of Russian Formalism were not afraid to err in the conventional sense, but what definitely was amongst their fears were epigonism and imitation as an academic and literary secondary activity. However, the repetition or automation of some characteristic features was obvious in the texts of Shklovsky and in the early prose of Tynianov during the 1920s. more