A Re-Enactment of the 1920s Debates
presented by the Retro-Formalism Group in cooperation with Marxism in Culture (University of London) and the Institute for Modern and Contemporary Culture (University of Westminster)
June 4.-5th 2015
Organised by David Cunningham, Anke Hennig, Anthony Iles
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From a dialectic perspective, portraits are seen to be the result of the application of distinct, expressive and constructive methods. Such a perspective examines how these methods can be combined in the overall structure of an artistic image to express the uniqueness and even the personality, the aura, of a piece of art.
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Why is the error significant? According to Jan Levchenko's criticism of the formalist methodology of the error, in his book "The Other Science" ("Drugaya nauka", 2012), an error becomes significant because it attracts our attention.
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