The So-Called Formalist Method (1923) more

A Re-Enactment of the 1920s Debates presented by the Retro-Formalism Group in cooperation with Marxism in Culture (University of London) and the Institute for Modern and Contemporary Culture (University of Westminster) June 4.-5th 2015 Organised by David Cunningham, Anke Hennig, Anthony Iles more

As scholars and as writers, the founding fathers of Russian Formalism were not afraid to err in the conventional sense, but what definitely was amongst their fears were epigonism and imitation as an academic and literary secondary activity. However, the repetition or automation of some characteristic features was obvious in the texts of Shklovsky and in the early prose of Tynianov during the 1920s. more

John Roberts (University of Wolverhampton) Shklovsky, Error and the End of Saint Petersburg more

Shklovsky begins his seminal text, "Art as Device", with critiques of diverse formulations of the ‘laws’ of economy governing creative effort and perception in poetic and prose language. more

Steve Sabella, born in Jerusalem in 1975, is a Berlin based artist who uses photography and photographic installation as his principle modes of expression. He is the holder of the Ellen Auerbach Award (2008) granted by the Akademie der Künste (Academy of the Arts) in Berlin and was one of the commissioned artists for the inauguration of MATHAF Arab Museum of Modern Art in Doha where he presented a critical installation entitled Settlement - Six Israelis & One Palestinian. His artworks were shown in Les Rencontres d’Arles 2013. more