The So-Called Formalist Method (1923) more

A Re-Enactment of the 1920s Debates presented by the Retro-Formalism Group in cooperation with Marxism in Culture (University of London) and the Institute for Modern and Contemporary Culture (University of Westminster) June 4.-5th 2015 Organised by David Cunningham, Anke Hennig, Anthony Iles more

Shklovsky begins his seminal text, "Art as Device", with critiques of diverse formulations of the ‘laws’ of economy governing creative effort and perception in poetic and prose language. more

Steve Sabella, born in Jerusalem in 1975, is a Berlin based artist who uses photography and photographic installation as his principle modes of expression. He is the holder of the Ellen Auerbach Award (2008) granted by the Akademie der Künste (Academy of the Arts) in Berlin and was one of the commissioned artists for the inauguration of MATHAF Arab Museum of Modern Art in Doha where he presented a critical installation entitled Settlement - Six Israelis & One Palestinian. His artworks were shown in Les Rencontres d’Arles 2013. more

Почему ошибка имеет значение? Исходя из критики «научной ошибки» как приема, который упоминает Ян Левченко в своей книге «Другая наука», 2012 ошибка задерживает на себя внимание. Заостряя данный тезис, можно утверждать, что указание на какой-либо феномен как на ошибку автоматически сообщает ему дополнительное содержание. дальше more weiterlesen

Материал для 'close reading' текста Виктора Шкловского. дальше more weiterlesen